Obsidian Eagle's Blasphemous Bazaar - avant-garde poetics, indie publishing, nom-de-plume

Obsidian Eagle's

Blasphemous Bazaar


META-Poems For A New Millennium

<br>META-Poems For A New Millennium<br><br>

The Flagship of Anti-Poetry — est. 2010





The Heart Sutra (Special Edition w/ Podcast)

The Heart Sutra


When Avalokiteshvara Bodhisattva was practicing 
the profound Prajna Paramita,
he investigated and perceived the five Skandhas (heaps)
and saw that they were all non-existent,
thus securing his deliverance from all suffering and difficulty:

"Shariputra, form does not differ from emptiness;
emptiness does not differ from form.
Form itself is emptiness; emptiness itself is form.
So too are feeling, cognition, mental function
and consciousness in relation to emptiness.

Shariputra, all dharmas are
empty of characteristics.
They are not created, not annihilated,
not impure, not pure,
and they neither increase nor decrease.

Therefore, in emptiness there is no form,
feeling, cognition, mental function, or consciousness;
no eyes, ears, nose, tongue, body and mind;
no sights, sounds, smells, taste, touch, and ideas;
no field of the eyes, up to and including
no field of mind-consciousness,
and no ignorance or ending of ignorance,
up to and including no old age and death,
or ending of old age and death.

There are no Four Noble Truths, no wisdom and no gain.
Because nothing is gained, the Bodhisattva,
through reliance on Prajna Paramita,
has no hindrances in his heart.
Because there is no hindrance, he is not afraid,
is free from contrary and delusive ideas
and attains the Final Nirvana.

All Buddhas of the past, present and future
attain enlightenment through reliance on Prajna Paramita.
Therefore, know that Prajna Paramita
is a great spiritual mantra,
a great bright mantra, a supreme mantra,
an unequalled mantra!

It can remove all suffering; it is genuine and not false.
That is why the mantra of Prajna Paramita was first spoken."

Recite it thus:

GATE GATE PARAGATE PARASAMGATE — BODHI SVAHA!

Bluegrass and Shoplifting by Guest Bard JD DeHart

JD DeHart is a teacher and writer.  His work has appeared in Eye On Life Magazine, The Commonline Journal, and Steel Toe Review, among others.


Bluegrass and Shoplifting 


During the summer, there was a face 

that would become familiar one day while other faces
screamed to be ignored. The hammer dulcimer
made its sound and the beard on stage sang
a song about a lost truck in the woods.
She listened for a bit before going  “shopping”.
She paused when the siren alarm went off,

yet was always allowed to pass with the CD in her purse
(a collection of late 90’s music - a soundtrack).
She ate some seaweed not because it was enjoyable,
but because it was eccentric; then sped
along narrow country roads like a NASCAR driver,
careening disastrously all the way home!


Dice And Dominoes

Dice And Dominoes

Come observe it here at the borders of oblivion

The inexhaustible march of man's temporal parade
Whether Alexander, Constantine or Khan
Every conqueror contributed commonalities
Causality, consistency, conflicts, consequences.

Most men are low denomination dominoes

Simple pushovers that fall into formation
Bowing beneath the oppressive weight of history
Unquestioning participants for social experiments
Where inherent rules work against hard workers.

Yet although they be few, some roll like dice

Chancers clutching onto fine strands of probability
Fewer still are they who luck out and hit the jackpot
Of discovery or innovation—advancing civilization
Thinkers and tinkerers; Tesla, Turing, Elon Musk?

Argue against them (if you feel you must)

But only such visionaries see a shot clearly
Before taking it and hence leaping far ahead
Leaving the rest of us playing in a kid's sandbox
Forming a fortress settlement upon faulty sediment.

So which will you be:

Remembered by virtue of distinction?
Forgotten among these aimless masses?
Or overcome (frozen stiff with indecision)?
Tiles fall flat, but cognize: every toss revives a die!

Prometheus by Guest Bard JD DeHart

JD DeHart is a teacher and writer.  His work has appeared in Eye On Life Magazine, The Commonline Journal, and Steel Toe Review, among others.



Prometheus


Poor Prometheus, a figure to be pitied!
All he did was bring the spark to mankind;
rare gift wrought in the observation deck.
Knowing the ways of people, they probably
took the gift with barely any gratitude,
immediately making a kill and cooking.
Turning their backs on the abject figure
(without so much as a half-formed smile)
who even now reclines on a stone, waiting
for Zeus' Eagle to finish its course yet again ...


The Gospel Gone Vita

The Gospel Gone Vita


Ah La Vida
Vital Force
Very Quick &
Plus vite!

Dolce Vita
Vitality — Speeding
Vim, verve
Vivacity!

Vibrant Vanitas;
Verisimilitude lacking meaning?
Veracity seems sweeter when
Velocity is freed up!


Entelechy's Footnote:

Hallelujah oh unnamed Lord or Lady
May a divine whirlwind lift us aloft
Mortal trappings are more than meat
The eye and other sense organs delay
Behind our brains unable to bear sway
Of one's life outlook verging on defeat
Write off whatever they say some creator coughed
Warriors thrive halfway, between bright and shady.

Blue Crystal Eagle by Special Guest Kleomichele Leeds

Editor's Note: Kleomichele Leeds is a Yogini and Poet, as well as an expert on Mayan Calendrics and Cosmology. She keeps a blog tracking the sacred Tzolk'in HERE and is also involved in producing a docu-drama entitled Shift of The Ages. The following piece was originally published on April 3rd 2014, which is a corresponding date on our Gregorian calendar for this Mayan holy day.




Blue Crystal Eagle


Blue Crystal returns
Reflecting newest Light —

Earth and Sky
Teachings to become
Laws of Time

Cosmic Sagas
Planetary Visions
Galactic in Scope

Universal Symbols —
Giving Infinite Hope!

In Yucatec Mayan: Men = 'Eagle'. In Quiche Mayan, Tz'ikin = 'bird'. Those are the names of this glyph; our hallowed Kin representing a quintessential Wavespell!

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* Except on Wall of Worthies
– whereon rights are retained by respective authors.